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“Towers are about elves getting to a place where they can get closer to the stars as they are the children of the stars,” Avery states. Humans have built the strongest empire that they are ever going to build.”ĭistinguishing between the different cultures meant developing a design-and-shape language for each of them. The elves have built a beautiful kingdom in Lindon. Khazad-dûm is building to be the best its going to be. The Second Age is the glory of many cultures. Then, the overall thing was that this is the Second Age, not the Third Age.
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It was also important that anybody turning on the TV somewhere in the middle of an episode would understand where they were. It was a place where people actually had to eat and find food and had to make a living for themselves one way or another – that means various things to different cultures. We wanted to make sure that we had a world that was recognizable as well as felt real and lived in. “Based on the art that has existed for 50 to 60 years or more recent media representations, there is an expectation of what Middle-earth wants to be.
Principal photography takes place in New Zealand, which was also the backdrop for the big-screen adaptations helmed by filmmaker Peter Jackson, with the first season consisting of eight episodes.Ĭonceptualizing Middle-earth was a balancing act for Production Designer Ramsey Avery ( Waitress). The streaming endeavor is a massive investment for Amazon Studios, which purchased The Lord of the Rings television rights for $250 million and committed to produce five seasons at a total cost of $1 billion.
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It is this backstory, particularly the period referred to as the Second Age, that the Prime Video series The Lord of the Rings: The Rings of Power, created by Patrick McKay and John D. In order to create a vast cultural landscape to draw upon, the Professor of Anglo-Saxon (Old English) at the University of Oxford developed a rich history which appeared in various appendices of his works, as well as serving as the basis for The Silmarillion. The stories were originally told to his children and subsequently transcribed, leading to the publication of The Hobbit and The Lord of the Rings. Tolkien conceived of a vast world known as Middle-earth inhabited by elves, dwarves, orcs, sorcerers, dragons and humans.
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He is not so keen on British farce, which he feels can be crude "It is full of fat ladies and men dropping their trousers." He notes that there is no real tradition of Irish farce.Influenced by the societal and environmental impact of the industrial revolution, his experiences as a soldier during World War I, the rise of fascism in Germany which led to World War II, a fascination with languages, and the desire to expand upon English folklore, J.R.R. Dear Alice Petty Sessions is the only play he has written which is farce and nothing else "It is intended as a good night out where you leave everything at the door except your sense of humour." There is no "deep social message", he says, except perhaps that Arthur realises what women have to deal with in life when he disguises himself as a woman.įarrell has long been a fan of farce, both French (Feydeau) and American (Laurel and Hardy) he also adored the pantomime at the Theatre Royal in Dublin when he was a child. In Boucicault's play, he disguises himself as an old man but Farrell decided to go further "I thought that for a farce it would be much better to have him disguise him self as a woman.įarrell notes that although there are some farcical scenes in most of his other plays from I Do Not Like The Doctor Fell to Happy Birthday.
I transposed the scene from London to Dublin, and had the two men pretending to take a train to Wexford, but actually getting off at Sydney Parade in order to come back for a night of dalliance." One of the gallants manages this doubling back trick, only to run into his wife. I was working on the play when, I came across Dion Boucicault's farce, Forbidden Fro it, first produced in London in the 1870s, on which I decided to base part of my plot, about two fellas planning to get away from their wives. The result Bernard Farrell's play, Petty Sessions, written 15 years ago for the Abbey and now revived in a new production by Red Kettle Theatre Company in Waterford. Garnish with disguise, coincidence, sexual innuendo, mistaken identity and a bad case of varicose veins. Add a one armed old colonial who shoots anything that moves and a railway porter who has just discovered he is a Father, to five grown up children. TAKE a human cannonball called Zulu who wants to be "exposed" to the world in her full glory, her sidekick Delilah who lights the match, and two very married lawyers who are anxious to give their wives the slip for a night of forbidden fun.
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